Tag Archives: Neil Gaiman

The Ocean at the End of the Lane by Neil Gaiman

The Ocean at the End of the Lane

“You don’t pass or fail at being a person, dear.”
– Mrs. Hempstock

The Ocean at the End of the Lane is an unusual story told by an unnamed narrator about the childhood he has just remembered after sitting by the “ocean,” the lake in his old friend Lettie Hempstock’s yard.That’s really all I can say about the book without spoiling anything, so this will be a pretty short review for a pretty short book.

Overall, I have mixed feelings about this book. While I was reading, I didn’t want to stop. It was suspenseful, it was strange, and it was like I had been transported into Neil Gaiman’s little fantasy world. Sure, all of his books are unusual in a way, but this one was a little more so than the others I’ve read. And although I did really like it while I was reading, I’d become a little disappointed by the time it was over. Like I needed more, like it couldn’t be over so soon. Not as if it needs a sequel– I just feel he left too much unexplained and he should’ve  had an extra chapter or something. The ending was the only thing I really didn’t like about the book, but looking back on how odd the entire thing was, I’m surprised I even liked it at all.

And once again, like I’ve been ending a lot of my reviews lately, I hear about a possible film adaption produced by Tom Hanks. I don’t know if I can picture the book actually becoming a movie, but I’m excited nonetheless.

To conclude this review, I’d like to ask your opinion of whether I should post a review of the movie adaption of Catching Fire, which I recently went to see. Hopefully this will work out, since this is the first time I’ve ever linked a poll into a post. Vote on it below, and I’ll see you next time!

-J

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The Graveyard Book by Neil Gaiman

“People want to forget the impossible. It makes their world safer.”
-Silas

After his family was murdered when he was just a baby, Nobody “Bod” Owens grew up in a graveyard, parented by the ghosts of a married couple and guarded by a tall, dark, mysterious man named Silas who is neither living nor dead. The man who killed his family is still out there, waiting until the time is right to finish him off as well. And although the graveyard protects him, Bod wants to explore and meet others like him– which means exposing himself to his family’s killer.

The premise of this book is mysterious and strange, but beautiful nonetheless. It’s not your average fantasy story, of course; it’s bent on showing the “good side” of monsters and creatures we were all afraid of as children, while still being extremely dark.

I really liked the book while reading it, but I think the fan theory about Silas was what made me step up into loving the book. The theory that Silas is actually a vampire never occurred to me while I was reading, but after thinking about it, it made a lot of sense (actually, after thinking about it, I felt stupid for not getting it sooner– but apparently a lot of people were in my same situation) appreciate that Neil Gaiman didn’t stick to the vampire stereotypes that circle today. He was my favorite character in the book by far, and the realization that he was actually a vampire made me love him (and the book) even more.

Although I thought the book was absolutely great, I really disagree with one of the reviews featured in the version I read, which stated it was “a book for all ages.” The novel begins with a man murdering three people and attempting to murder a baby, and the entire plot circles around Bod not being allowed to leave the graveyard in case of being killed by the same man. There are creatures in the book called the Indigo Man and the Sleer, which I believe could definitely be nightmare-triggering to some children. And there’s a chapter where Bod is kidnapped by Ghouls and taken through what seemed to be a portal to the Ghoul world, which I definitely wouldn’t recommend any children to read. Yes, I do love how they portrayed werewolves and mummies and ghosts and vampires to be the good guys, but there are still bad guys in the book.

So, in general: Neil Gaiman is fantastic, The Graveyard Book is fantastic, Silas is fantastic, and I can’t wait to hear more. And, again, I’ve heard rumors of a movie going around. According to Wikipedia:

Irish Academy Award-winning filmmaker Neil Jordan signed on to write and direct a film adaptation, which as of January 2010 was in pre-production. In April 2012, however, rights to the adaptation were acquired by Walt Disney Pictures. Henry Selick, director of The Nightmare Before Christmas and the film adaptation of Gaiman’s novel Coraline has been chosen to direct The Graveyard Book. Like most of Selick’s other films, it is probable that the film will be stop-motion animated, although that decision has yet to be confirmed by Selick himself. However, in the wake of Disney choosing to cancel another Selick project, The Shadow King, Disney appears to be seeking another director, one possible candidate being Ron Howard.

A possible stop-motion film adaption in the future would be brilliant, in my opinion, as I loved Coraline and I could definitely see another of Neil Gaiman’s novels shining in stop-motion, especially certain characters.

Okay, well, I think that’s mostly it. Sorry about the delayed review once again– I was so caught up in the Doctor Who marathon and 50th anniversary episode that I didn’t even remember I’d finished this book. (By the way, Doctor Who— wow. I know I shouldn’t be discussing it here, and no spoilers for any fellow Whovians out there, but seriously… wowI’m absolutely thrilled.) I should have the review of the Hush, Hush series by Becca Fitzpatrick up either tomorrow or Monday, so I’ll see you soon!

-J

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Coraline by Neil Gaiman

Coraline

““I don’t want whatever I want. Nobody does. Not really. What kind of fun would it be if I just got everything I ever wanted just like that, and it didn’t mean anything? What then?”
-Coraline Jones

After moving into a new home, Coraline discovers a door that leads to nothing but a brick wall. But later, when she returns to the door, she finds that it leads to something completely different: an entirely new world where the people have buttons for eyes and no one mispronounces her name. In this world, where animals can talk and her parents always have time for her, everything seems much better than reality. But everything is not what it seems…

You’re probably more familiar with the claymation movie based off of this book than the book itself. There are a number of differences between the two, although both are great. Neil Gaiman is an extremely talented and imaginative author, and I really enjoy reading his works.

If you remember the movie, the first thing that should come to mind is how scary it was. Even though I was eleven when I first watched it, I remember it as the most terrifying animation movie I had ever seen. Even my mother, who was probably thirty-five, was shocked at how disturbing it was. The book was significantly less scary, due to the lack of Other-Mother-turning-into-a-spider scenes. The illustrations in this book weren’t the most comforting, though.

-J

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